Ideology of the films Essay

I. Introduction Feature occupys such(prenominal) as unity Wars and The Terminator last just a couple of hours, but they concord months or even years to make. Huge teams of people argon heterogeneous in preparing for the activeness, and then capturing it on photographic camera. Then, when the acting has finished, to a greater extent hard hammer begins on turning the action into a buck fit for hand over and TV screens. This paper studies (1) who were the initiatory characterisation-makers (2) know the development of cinema widely distributed (3) be aw ar of the diametric types of redbrick film and (4) figure divulge the film-making at present.II. Background A. The graduation film-makers The first people to invent equipment for making films were the Americans W. K. L. Dickson and Thomas Edison, in the early 1890s. Their apparatus consisted of a camera called the Kinetograph and a viewing box called the Kinetoscope. Only one person at a time could look into the viewing bo x to watch the film, which was in baleful and white, had no sound and lasted just a few seconds. Two French brothers called Auguste and Louis Lumiere first devised a way of projecting film images onto a astronomic screen for an audience.The Lumiere brothers called their apparatus the Cinematographe. They carried out their first demonstration in a Paris cafe in December 1895. People were stunned to see the large, moving pictures. Other inventors immediately began creating new types of projectors and experimenting with making their own films. ? early film-making ideas Film cameras do not record movement. The moving pictures we see on screen are actually still busts, taken so promptly one after the other that they seem to merge. Each still photograph is called a frame.Most film cameras today take 24 frames each second, on a big reel of film that is wound steady through the camera. The first film cameras, though, could take only 16 frames both second. The length of the film on the reel was 20 or 25 metres, which gave just about one minute of screen time. So the first films usually showed just one, short face. For example, LArroseur Arrose (A Trick on the Gardener) by the Lumiere brothers, do in 1895. The first film with more than one image was probably Come Along Do , produced by the Robert Paul friendship in Britain in 1898.The company joined a scene alfresco an art gallery with a scene inside. A film-maker called George Melies began to produce multi-scene films, such as Cinderella (1899). Melies alike experimented with interesting ways to join the scenes together. He much utilise equipment, such as slides and magic lanterns, to create special effects. At the turn of the century, two British film-makers working separately in Brighton came up with creative ideas for shooting the scenes themselves. George Albert Smith invented a technique for filming a scene from opposite camera positions.In The Little Doctors (1901), a scene showing somebody feed ing medicine to a kitten is shown first from a distance, then in close-up, then from a distance again. jam Williamson had a different ideato shoot a piece of action across some(prenominal) scenes, instead of just one. In Stop brigand (1901), the lead character hounds out of one scene, then the film cuts to a new scene elsewhere and the lead character runs into the scene, continuing the story. An American film-maker called Edwin S. Porter used ideas like these especially hard-hittingly in a 1903 film called The Great Train Robbery. III. DiscussionA. The Development of Cinema ecumenic In the early days of film-making there were no cinemas. Film-makers used medical specialist sales organizations to sell their films to entertainment organizers, who projected them as part of assortment shows in tent theatres. From 1905 to 1908 in the United States, thousands of theatres (known as nickelodeons) were set up especially for film. Permanent film theatres were also established across E urope, and film-making became a booming business. From 1908 a leading centre for American film-making developed in an area of southern California called Hollywood.Established British and French film companies were joined by flourishing film industries all over the world. An Italian film company produced the first large-scale film in 1912. It was called Quo Vadis? , and used massive film sets and more than 5,000 actors. Film-going became so universal that from 1914 many full cinemas called picture palaces were created. They could seat thousands of people at a time. Film-companies began to make films that lasted for several reels instead of just one. Picture palace audiences had to wait in the heart of a film while the projectionist changed reels.Films in those days were dumb, so picture palaces usually had a pianist or organist who played music to travel along the action. Film-makers also included short written sentences in the film to issue to the story or explain what the act ors were saying. One of the most famous silent film stars was the British actor Charlie Chaplin (1889-1977), who created the loveable character of the little hike who had a funny walk. Many film companies experimented with animated drawings and models, as sound as human actors.European film companies introduced the idea of making teaching films about events in the news, as well as films for entertainment. ? Color and fit From the early 1900s, inventors had worked on films with colour and sound. The first breakthrough with colour came in 1908 in London, when G. A. Smith demonstrated a colour film shape called Kinemacolour. However, Kinemacolour shades were based on just two colours, so films act to be make in black and white. The first colour films to be created successfully from two colours were Toll of the Sea and The Black Pirate, shown to the human race in 1922.In 1926 the American film company Warner Brothers delighted audiences with a series of short films that had sound to match the pictures. As the sound was save on a separate disc, the words did not always match the mouth movements of the actors. Warner Brothers The Jazz Singer was the first full-length talkie, in 1927. The film company Fox soon developed a more effective technique for recording the sound onto the film itself. During the 1930s, Hollywood film companies made the most of the new sound technology by making musicals with relation and dancing stars such as Shirley Temple, and Fred Astaire and Ginger Rogers.Gangster talkies and romantic comedies were popular in the United States and Britain, although at this time the Japanese film pains was the largest producer of films in the world. In 1934, the Bombay Talkies studio was formed in India, psychiatric hospital one of the biggest film industries in the world. While film companies had been busy creating talkies, they had also been working on perfecting colour in films. Finally a mathematical process was developed that used three co lors to create different shades, preferably than just two. In 1935, the first three-strip Technicolor film was produced, Becky Sharp.From then on, moving pictures not only sounded real, they looked real too. B. Different Types of Modern Films Since the early days, many different types, or genres, of feature film have been made. These include westerns (such as The impressive Seven), thrillers (The Fugitive), comedies (Home Alone), action adventures (Indiana Jones), supernatural horror (Dracula), war epics (The Great Escape), romantic comedies (When rag Met Sally).Crime and gangster films (The Godfather), films with animation (Who Framed Roger Rabbit? ), spy adventures (Mission Impossible), kung-fu extravaganzas (Enter the Dragon), science-fiction (E.T. The Extraterrestrial) and modern musicals (Grease and Moulin Rouge). Sometimes films combine two or more genres.Some films are produced with three-dimensional technology, so that if you wear special glasses, the images on-screen app ear to have more depth, just like in real life. Other films are made for IMAX cinemas. These special cinemas have giant-sized screens with sophisticated sound systems to make you feel as if you are right in the middle of the action. IV. Conclusion A. Film-making today Film-making requires different specialist staff and technical processes, depending on what the film is about.All films go through three broad stagecoachs in the beginning they are arrive at for an audience. During the pre- action stage all the preparations are made for filming. The producer chooses the story, raises money and employs the people who allow work on the film. The scriptwriter writes the words, creating an exciting plot and interesting characters. The theatre director decides on the overall style of the film and chooses the leading actors. The art director is in vote out of designers for the film sets, costumes and makeup, and choosing locations outside the studio.Technical directors are in charge of c rews who build huge film sets and arrange lighting, sound and special effects. The production manager controls the budget and makes practical arrangements for filming. During the production stage filming takes place. Stories are not usually filmed in the right order. The actors and crew film all the scenes that take place in one location before moving on to another. The director guides the creative elements of the film, from giving opinions on the story, to instructing the actors, to choosing camera angles. The director is helped by people in different departments.For instance, a doggedness person makes sure that all the details are correct in scenes that are shot out of sequence (such as the actors clothes and length of their hair). That way, when the filmed scenes are put into the right order later, they will run together smoothly. The post-production stage happens when all the action has been filmed. An editor cuts sequences of action and joins them together, adding the sound. W hen the director and producer are happy with it, the finished film is then ready for distribution companies to sell to cinemas or TV companies.